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Lesin þreyttur í rúminu mínu, í pakkfullumstrætó úr Hamraborg og árla morguns á bensínstöðinni við Laugarveg, en kláruð í Stúdíó Sýrlandi við tökur á fyrstu breiðskífu Woolly Kind. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Murch noticed at some point in his career with Gene Hackman, that where Hackman blinked was often a good place to cut a sequence (just before the blink). What Ansel Adams did for me in terms of photography, what Vincent Baker did for me in terms of game design, what Barry Hampe did for me in approaching documentary work, and what Robert McKee did for me in thinking about western stories, Walter Murch has done for m in film and editing. Well written and this is the second edition, although as the author knew would happen, film production has moved on fast. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage.

As a teacher myself overwhelmed with the ever changing technology, I sometimes get so involved in explaining the technical aspects of Final Cut Pro that I don’t spend enough time with the real question of editing “Where do you make a cut—or do you even need to make a cut? It's amazing how well-read he is on nearly everything and has the ability to relate everything to editing.

You may not always succeed, but attempt to produce the greatest effect in the viewer’s mind by the least number of things on screen. While Murch makes pains to clarify that these are just his opinions rather than objective truth, the intellectual perspective those opinions provide is tremendously valuable. Pierwszą część czyta się błyskawicznie, bo rozdziały mają po 2-3 strony, czcionka jest duża, podobnie jak odstępy między akapitami. Going in to detail about when and why we blink he takes this and talks about when to cut and how blinking so important. To be clear: Murch is no luddite, he made the choice to switch for reasons he weighed very carefully.The only part of the book that is unnecessary is the comparison of digital and film editing equipment, probably out of date even before the printing. Now, 20 years on in my profession, and well past the instructional stuff, someone on one of my social media groups quoted from the book, and it piqued my interest.

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